Mangione: The Making and the Meaning by John H Richardson – Understanding a Criminal?
On the fifth of December 2024, a major newspaper published the front-page story “Insurance CEO Gunned Down In Manhattan”. The article went on to state that Brian Thompson was “shot in the back in Midtown Manhattan by a killer who then calmly departed the scene”. The daytime killing was truly chilling and disturbing. But numerous US citizens had a different response: for those who had been denied health insurance or faced exorbitant healthcare costs, the news felt cathartic. Social media blew up. One comment stated: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the AI algorithm the insurance company created to increase earnings on your health.”
Less than a week after, Luigi Mangione, a handsome, 26-year-old University of Pennsylvania graduate with a master’s in computer science, was arrested at a fast-food restaurant in Altoona, Pennsylvania. He faces court proceedings on federal and state charges of murder, with the district attorney seeking the death penalty. So what is his background? And what drove the alleged crime? These are the issues John H Richardson attempts to answer in an inquiry that delves into wider topics, too.
The Making of a Subject
A writer for a major publication, Richardson devoted considerable time to studying the communities that lurk in the dark corners of the internet, writing stories about people “cursed with realistic fears about an apocalyptic future”. To reveal “the making” of his subject, Richardson first reviews Mangione’s wide-ranging book list. We learn that “[when] he was arrested, Luigi had a list of 295 books on a reading platform”. Their content ranged from climate change to masculinity, along with a “emphasis on his own self-improvement, both body and mind”. Additionally, Richardson sifts through his correspondence with influencers and authors as well as his many updates on digital networks. These primary sources, intended to depict a picture of Mangione, instead present him as an amorphous figure. Richardson attempts to explain this by proposing that “Luigi’s elusiveness, in fact, is what gives him a little of that old deceiver’s charm”. Throughout the book, Richardson tries to frame his subject in archetypal terms.
Mangione is profoundly worried about the world around him, one where ‘everything is accelerating whether we like it or not’
The Meaning Behind the Crime
As for “the meaning” of the title, Richardson takes as his lead three words – “postpone”, “refuse” and “remove”, engraved on the bullets left behind at the crime scene. These are the phrases sometimes used by health insurance companies to deny coverage. He looks at the indication Mangione suffered from a long-term spinal issue, which could have been a reason for an attack, but discovers no confirmation; instead, what significance there is seems to rest in Mangione’s philosophical dread about the world around him, one where “everything is accelerating whether we like it or not, moving rapidly to the edge”; a world where the general belief seems to be that AI is going to ultimately either dominate, or eliminate humanity, or both.
Gaps in the Narrative
Conspicuous by their absence from the book are interviews with the principal actors. Richardson made requests, but did not anticipate time with Mangione himself. And his relatives stated explicitly that they had chosen not to talk to the press in prior to the trial. Another glaring gap is any detailed data about the victim, Thompson, though we learn that under his leadership, from 2021 to 2023, UHC profits rose significantly.
Unclear Conclusions
By book’s end, the reader has no clear understanding of Mangione’s personality or what could have driven his accused actions. Worse still, Richardson’s apparent empathy for him gives the reader the disturbing feeling of having been privy to a subtle approval of an targeted killing. In the book’s closing remarks, Richardson delivers his mythical interpretation: “We’ve entered a era of stories, the mad king, the monster in the maze and the emperor without clothes.” In that tale “outlaw heroes come with a beautiful promise … They arrive in times of social turmoil, when the population is in pain and everything is confusing anymore.”
One thing is certain: as Mangione’s legal representatives works to have accusations that could lead to the ultimate sentence dismissed, any mention of fables, Robin Hoods, champions or monsters will not be admissible as evidence in support for this handsome young man with a “jawline … and lips … out of a Caravaggio painting” facing judgment for murder.